TYPEFACE DESIGN
2025 2024 2023
             
BOSTON UNIVERSITY


YINGCHEN (MOLLY) ZHOU
DE MONNE

INSTAGRAM

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De Monne revives the dramatic weight shifts and flamboyant details of 19th-century American display types like ATF’s De Vinne and Columbus. Originally cast in metal and used for bold book covers and advertisements, these faces featured sharp wedges, wide stances, and powerful curves. De Monne softens some of the sharper corners while retaining the high contrast and strong personality of the original cuts.



De Monne type specimen by Yingchen (Molly) Zhou





De Vinne metal type

De Vinne type specimen by American Type Founders Co




Searching for Caleb cover by Anne Tyler

Nam semper semper ex inIn porttitor pellentesque sapien

Columbus type specimen by American Type Founders Co




De Monne type specimen by Yingchen (Molly) Zhou





De Monne type specimen by Yingchen (Molly) Zhou









De Monne type specimen by Yingchen (Molly) Zhou


TYPEFACE DESIGN

2025
2024
2023


INSTRUCTOR
Christopher Sleboda

TEACHING ASSISTANTS
Amanda Mundy (2025), Ash Wei (2024)

DESIGN 
Erica Pritchett · Built with Cargo

ABOUT

This site documents student work from an advanced typeface design course taught by Christopher Sleboda and open to students in the MFA Graphic Design and BFA Graphic Design programs at Boston University, as well as students in the School of Visual Arts—including those in the new Visual Narrative MFA. The course provides a rigorous introduction to the conceptual and technical processes involved in creating original digital typefaces. Students explore the foundations of letterform construction—including structure, proportion, counterform, spacing, and rhythm—while developing their own typefaces.

Through research, sketching, and the use of digital tools like RoboFont, students engage with typographic history and contemporary practice to design functional and expressive typefaces. Each student produces a working font and a printed type specimen. This site showcases the results of that work, reflecting diverse design approaches and a deep engagement with the craft of type design.